Choreography by Gianna Burright in collaboration with the artists
Gianna Burright + Artists

AS IF EVERYTHING WAS PERFECT

‘As if everything was perfect’

Choreography by Gianna Burright in collaboration with the artists

As we strive to stay in connection with one and other while we dance for both hope and change, we relive memories of connection.  This work is a story telling of fantasies, nightmares, utopia, memories and our current state of existence.

Most recently performed at Baryshnikov Arts Center.

Choreography by Madison Hicks
Moving Forward Collective

REWRITING INEVITABILITY

‘Rewriting Inevitability’

Choreography by Madison Hicks

Rewriting Inevitability intricately weaves the narratives of three friends as they navigate the complex tapestry of their shared memories. This work explores the fluidity of time and reality, similar to the storytelling techniques seen in films and television shows, where different probabilities and outcomes are considered.

Choreography by Roderick George
L.A. Contemporary Dance Company

DANCING IN SNOW

‘Dancing In Snow’

Choreography by Roderick George
L.A. Contemporary Dance Company

Dancing In Snow is a sophisticated and thoughtful statement about Black and Queer experiences, and how cultural appropriation and tokenism separate Black dancing and culture from Black bodies.

Choreography by Iker Karrera
L.A. Contemporary Dance Company

TABLE FOR ONE

‘Table For One’

Choreography by Iker Karrera
L.A. Contemporary Dance Company

They say that the worst goodbyes are those that do not happen. However, there is a new hope that blossoms from grief… a new and limitless love… all the unexpressed love that will accompany us until the last minute of our existence. It is hopeful to think that there is no mourning without love.

Review here.

Choreography by Genevieve Carson
L.A. Contemporary Dance Company

EBBA

‘EBBA’

Choreography by Genevieve Carson
L.A. Contemporary Dance Company

EBBA is an intimate, bold, and unapologetic investigation of the many layers that exist within the psyche of girls and women, shedding light on how we can ultimately find strength and ownership in our identity as female.

Choreography by Genevieve Carson
L.A. Contemporary Dance Company

SUMMON

‘SUMMON’

Choreography by Genevieve Carson
L.A. Contemporary Dance Company

Grey Gardens is a haven where women come to feel free and to feel safe. Take a load off. Commune. Exhale. Laugh. Be seen. Be weird. Absorb love. Armed with the knowledge that they can always return here. This space was carved for them.

Review here.

Choreography by WHYTEBERG
L.A. Contemporary Dance Company

GLHF

‘GLHF’

Choreography by WHYTEBERG
L.A. Contemporary Dance Company

‘GLHF’ (good luck, have fun) draws inspiration from vintage video games and the characters who inhabit them and features the bizarre and whimsical electronic music of Japanese artists Asa-Chang, Junray and Emerson Kitamura.

Review here.

Choreography by Sarah Rodenhouse
MashUp Contemporary Dance Company

MYSTERIUM

‘Mysterium’ Excerpt from ‘Unravel’

Choreography by Sarah Rodenhouse
MashUp Contemporary Dance Company

UNRAVEL takes an intimate look at the process of confronting and releasing the shame and stigma surrounding our bodies, health, and relationships.

Directed by Genevieve Carson and Nathan Kim
L.A. Contemporary Dance Company

BLINDING LIGHTS

‘Blinding Lights’ Vitamin String Quartet

Directed by Genevieve Carson and Nathan Kim
L.A. Contemporary Dance Company

Blinding Lights (originally performed by The Weeknd) is a reflection of the COVID-19 pandemic — our dislocated, remote lives connected by our heightened desire to live in unity.

Choreography by Genevieve Carson and Drea Sobke
L.A. Contemporary Dance Company

TERRA

Excerpt from ‘Terra’

Choreography by Genevieve Carson and Drea Sobke
L.A. Contemporary Dance Company

Terra is a celebration of new life, community, and a sense of belonging. An empty warehouse space comes alive through a collaboration between a creative team of artists who draw inspiration from elements of the natural world.

Review here.